Sprint is London’s biggest and best established annual festival of unusual and adventurous theatre and performance. It showcases work by the most exciting new artists and companies in the UK and beyond.
Camden People’s Theatre is a performing arts space in west Euston, London. It consists of a sixty-seat theatre, rehearsal space, open meeting space and bar. Over 20 years, CPT has developed a regional, national and international reputation as one of the UK’s most innovative theatres, and one of few dedicated year-round to emerging artists working with new and unconventional theatre forms
Applications are now open for our 2014 festival, which will run from March 7 to 30, 2014. Ideally, proposals will be for work that is finished by March 2014, but we will also consider works-in-progress, ‘scratch’ performances and on-site artist development (see Starting Blocks).
Since its inception in 1997 as a showcase for ‘physical, visual and unusual theatre’, Sprint has continued to grow in scope and reputation. Companies who found early success at Sprint include Unlimited Theatre, Cartoon de Salvo, Fevered Sleep and Shunt. More recently, the festival has featured the work of Idle Motion, Made In China, Paper Birds, Stoke Newington International Airport and Search Party.
Submissions for SPRINT FESTIVAL 2014
What we want
New work, new ways of making theatre, new experiences for audiences
Work to take place in our theatre – If you are applying to perform in our theatre, please come and see a show and ensure you’re familiar with the size and character of our space.
Work to take place elsewhere in our building – We are open to proposals for intimate-scale and/or one-on-one performances that may lend themselves to other spaces in our building.
Site-specific and/or off-site work – We are interested in work that takes place in the streets and squares, waterways and byways beyond CPT’s doors – as long as the artist has a realistic idea of how such a project might be achieved. It will by necessity be the artist’s responsibility to seek permission to perform in the specific location. (CPT will support this process, but cannot take full responsibility.)
Virtual work – We welcome proposals for audio projects, walkabout projects, auto-teatro – or projects that in any other way take theatre off the stage and into the world (or the audience’s heads). If specific technical equipment is required – e.g. headsets, iPods, smartphones – it would be need to be provided by the artist.
What we don’t want
‘New writing’ – We usually work with artists who create collaboratively. Playwriting, in the conventional sense, isn’t usually part of their process. We will consider exceptions, provided an innovative approach is demonstrated
Revivals of classic plays
Dance – We are primarily a venue of theatre and performance, and not a dance venue per se. We will consider proposals for dance-theatre performance, where the emphasis is on ‘theatre
What we provide
Our arrangement with Sprint artists is flexible according to the needs of each show, but our usual offer is:
Full PR and marketing support, inclusion in brochures, flyers, website, social media activity
50:50 box office split
Technician to support get-in, and – subject to discussion – to operate the show
Discount tickets to other events in the Sprint festival
TO APPLY FOR SPRINT PLEASE FILL OUT THE ONLINE APPLICATION FORM: http://www.emailmeform.com/builder/form/3qRd39Df8dn0JeML25S0
The deadline for Sprint applications is Mon Dec 2nd 6pm
Submissions for STARTING BLOCKS
Applications are also invited for Starting Blocks, a creative community for developing new theatre work that runs alongside Sprint.
Starting Blocks offers the opportunity to create new theatre work with the support of Camden People’s Theatre, as part of a peer network that encourages collaboration and engagement between participating artists. Over ten weeks, the selected artists will meet weekly to share practice, ideas and their developing works. They will also be given space to develop their particular project and practice. The scheme runs from January to March 2014, allowing time for the participants to develop work, or work-in-progress, to be shown at CPT’s prestigious Sprintfestival.
We are particularly keen to receive applications from solo artists. Please bear in mind that Starting Blocks involves a significant time commitment. Rehearsal space is made available weekdays 10am-6pm.
Applicants can apply with just an idea, or with an idea that has received early-stage development, and now needs space, structure, and peer support to help bring it to life. Projects that have already been developed at another organisation, or with the financial support of a funding body, will not be considered.
Recent projects to have been developed through Starting Blocks include The Way You Tell Them by Rachel Mars, Pretty Ugly by Louise Orwin, and Don Quijote by Tom Frankland and Keir Cooper. Participating artists (2011-13) include: Greg Wohead, Ira Brand, Fran Millican-Slater, HalfCut and Anne Langford.
The scheme is overseen by CPT director Brian Logan, who alongside CPT staff will select participants by application form and interview from an open call for submissions.
TO APPLY FOR STARTING BLOCKS FILL OUT THE ONLINE APPLICATION FORM: http://www.emailmeform.com/builder/form/0X5c5a6LgWu9e
The deadline for Starting Blocks applications is Mon Dec 2nd 6pm